
by Philip Osment
By permission from
Alan Brodie Agency
Originally
commissioned and produced by Theatre
Centre, London. Original Production Generously Supported by the
Peter Wolff Theatre Trust
21st
February to 2nd March 2003 90%
Sold Out !
Directed by Brian Seward
Actors - Keagan Kang, Kimberly Creasman, Jonathan
Lim, Juwanda Hassim.
Puppeteers/Performers - Chio Su Ping, Joni Tham.
We have to give thanks the Theatre
Centre, London, for their generosity in loaning us the
original Little Violet puppets, and for all their help in making this
Singaporean production possible.
See
the Arts Magazine review here!
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Some
Production Shots








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Violet and the Angel is a big family show; an unforgettable exploration
for us all of the joys and heartaches of living and loving.
This magical new play is funny, tender and true. We will be using a wide
range of theatrical skills including puppetry, music and song to re-create
this wondrous adventure.
It is the story of an apprentice guardian angel - young Gabriel - who
finds his new job very tough. It's also the story of a little girl - Violet
- who magically grows from age 6 months old to 6 years old on stage, using
marvellous puppetry techniques. Gabriel has developed a bad cold because
heaven is not as warm as you might think, and he just can't be bothered
to master the harp. The Boss is always on his back because young Gabriel
tends to neglect his charge, a little baby abandoned on the doorstep of
an elderly couple. Violet's life and happiness hangs in the balance. The
husband wants to keep the child, but the wife, wrapped up in grief for
her son killed in an accident, has no time for the baby and wants to send
her to the orphanage. It is Gabriel's job to make sure that the child
is saved from this fate. What happens next is magical sad, funny and wonderful.
What makes this play unique is its appeal to such a wide age range. From
the youngest to the oldest, there will be something to amuse, enthral
and touch the heart. We really believe that this play will make a difference
to those who see it, especially children, young people, and families -
those who are the future of the Arts in Singapore.
See
the Arts Magazine review here!
REVIEWS
of the UK Production.
"Sometimes
it's hard to be an angel"
Philip Osment's play, as tender as a baby's
bottom, was the joint winner of the Peggy Ramsay award, Britain's richest
play-writing prize. The
fact that it is intended for children is irrelevant. It is an exceptional
play that maps the contours of the human heart, and one that both children
and adults can enjoy together.
There
is no pushing of curriculum-based issues here, no condescension; just
riveting storytelling and a compassionate understanding of the way people
choose either to fulfil their lives or blight them by opening their
hearts or shutting them down. ...this is a meaty, emotionally mature
play that has the making of a modern classic.
Lyn Gardner - The Guardian, Saturday June 23, 2001
What
a sparkling gem of stimulating entertainment is this piece, joint winner
of the Peggy Ramsay Play Award 2000.
Jon Holliday - The Stage May 31st 2001

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