poster

Script by Brian Seward
Music by Kenneth Lyen
Puppets by Visual Impact
Directed by Brian Seward

Location:
The Drama Centre,
Canning Rise

Performance Schedule:
30th - 31th May 2000:
11am and 2pm
1st - 3rd June 2000:
2pm and 7:30pm

Tickets:
$20 (adults)
$16 (children, concession)

Special Family Ticket:
2 adults plus 2 children - only $64

THE MAGIC PAINTBRUSH

The Drama Centre (May-June 2000)
DBS Arts Centre (May 26th to June 6th 2004)
And now coming back by popular demand
21st November to 3rd December 2004
AGF Theatre, Alliance Francaise - as part of the
Asian Children's Dra
ma Fiesta

Synopsis
Tony Lee, a primary six student is trying to study, but is distracted by his art materials and collection of storybooks. He decides to take a short break, and starts reading a brand new storybook - the Magic Paintbrush.
By accident we meet Mao Bi Casso, the Magic paintbrush, and with an accidental wish, Tony is transported to a Southern Province of China, where in a series of magical encounters and adventures, the story of Ma Liang and his magic paintbrush is recounted. Using marvellous puppets, magical black light sequences and a lively musical score, plus live actors, we meet Madam Hoang, the tuneful phoenix who guides and helps Liang with his quest, the Flower Rangers, the confused and very blur Chicken, and a host of other colourful and lively characters. Watch out for the cruel Emperor, and his guards Sotong and Shrimp, and see how they finally meet their namesake nemesis!
All are taught some valuable lessons about friendship, the dangers of using or abusing power, and the value of creativity. This fun, interactive play is suitable for the whole family. Colourful puppets and lively actions will enthral the youngest audience members, whilst fun songs plus a humorous and thought provoking script will entrance grownups and older children.

The reviews from last time...

Such a wonderful piece of children’s theatre! ...An enchanting story of magical proportions was simply told and gently revealed, allowing the children to take a delight in the tale and make their own judgements. Like a good Disney cartoon, it appealed to the adults with its funny one-liners and clever and knowing references to various aspects of pop culture, be it the Spice Girls, the movie ‘Titanic’ or the film ‘Jaws’... One more thing that made this musical so enjoyable: the precocious puppets filled the production with infectious fun and hilarious energy with their comic antics and loveable personas. Meanwhile, the music... was toe-tappingly tuneful… Indeed a delightful and enjoyable performance.
(Flying Inkpot
)

piant


Imaginarts

Paintbrush demonstrated what all children’s theatre seeks to offer kids — an experience of both pleasure and learning — through role-models lovably familiar and real enough to empathise with; colourful characters embodying identifiable forces; carefully chosen and expressed themes; accessible dialogue; liberal doses of humour and lots of room for them to respond freely... When children receive this, the magic is born. The joy of their excitement, the silent gaping reverence of their awe, the warm affection they give so easily to the characters they choose to champion - it’s theatre of engagement, of commitment. Kids do not watch from a critical distance, they receive trustingly, in the most unpretentious way. Creating theatre that communicates with the same honesty, while maintaining artistic integrity, is the challenge of children’s theatre which has been well-met by Paintbrush. (Jonathan Lim, The Arts Magazine, November–December 2000